Pro Tools hardware The Pro Tools System Digidesign’s Pro Tools system has always included a software application and various hardware compone
APPENDIX 5 Figure A5.5 192 Digital I/O rear. Figure A5.6 96 I/O front. Figure A5.7 96 I/O rear. 96 I/O The 96 I/O is an a o
Pro Tools hardwareyou to connect DAT recorders, CD players, and other digital recording devices. The A/D converters o er a 111 dB dynamic range while
APPENDIX 5close to your audio sources. The PRE can also be used as a stand-alone device and can be controlled remotely using any standard MIDI control
Pro Tools hardwarealso has AES/EBU clock I/O; video reference in/thru; and video program in/out connectors. Figure A5.12 SYNC I/O front. Fi
APPENDIX 5 There are some restrictions when using the Legacy Peripheral port. The biggest of these is that you can only work on sessions at up to 48 k
Pro Tools hardwareAD/DA converter. Digital modules are also available for interfacing to a variety of formats from AES/EBU and FireWire to Pro Tools H
APPENDIX 5 If you want to capture the highest quality of audio, the ADA-8XR makes an excellent choice whether you are recording vocals, single instrum
Pro Tools hardware The ROSETTA 800 gives you eight channels of 24-bit AD/DA conversion at sample rates of up to 192k along with Apogee’s SoftLimit, UV
APPENDIX 5and mixing to combining audio and video – at the highest quality with up to 24-bit/192 kHz audio in up to 7.1 surround format. ICON console
Pro Tools hardwaresoftware all your session data reside in a single le, making it simple to recall even the most complex projects in a matter of min
APPENDIX 5 Pro Tools|HD Hardware Unlike host-only systems that rely on the host computer’s CPU for all processing, Pro Tools|HD’s DSP cards are de
APPENDIX 5 ICON D-Command ICON D-Command, like D-Control, partners with the HD|Accel cards and XMON analogue monitoring and communications unit to
Pro Tools hardware Supplied as standard with eight channel faders, D-Command can be expanded to 24 faders by adding a 16-channel Fader Module. Figur
APPENDIX 5configurations. XMON also provides separate stereo Cue outputs, studio monitors outputs, and a dedicated engineer’s headphone output. Suppl
Pro Tools hardware The C|24 has 24 bankable channel strips, each with a touch-sensitive, motorized fader and dedicated Mute, Solo, Select, Input, Reco
APPENDIX 5 Digidesign Reference Monitor Series Digidesign’s Reference Monitor Series bi-ampli ed, near- eld studio monitor designs, the compac
Pro Tools hardwareexceptional clarity and tonal accuracy, low distortion and accurate bass response, with a wide dynamic range. PMC’s ATL design comb
APPENDIX 5 Digidesign’s RM1 and RM2 monitors are in the same league as similar models from Genelec and ATC, with advanced technical speci cations tha
Pro Tools hardware Summary Digidesign o ers a well-designed range of hardware to work with its software that allows professional users to put tog
Pro Tools hardware The di erent ways that di erent plug-ins use the DSP chips on the di erent cards, and the way that some plug-ins are optimized
APPENDIX 5 Pro Tools|HD 1 uses the HD Core card and supports up to 32 channels ofI/O. Pro Tools|HD 2 Accel includes the HD Core card and an HD A
Pro Tools hardware DigiLink allows HD Core and HD Process cards to be connected across lengths of up to 100 feet – although the 100-foot cables only s
APPENDIX 5 Along with the Pro Tools HD software and its standard DigiRack plug-ins, the system also includes the Pro Tools HDpack plug-in bundle, the
Pro Tools hardware Pro Tools|HD Interfaces Digidesign’s range of Pro Tools|HD interfaces has been accepted around the world for use in profession
APPENDIX 5 The basic 192 I/O supports up to 16 simultaneous channels of analogue and digital I/O. The standard interface has two 25-way D-sub connecto
Pro Tools hardware 192 Digital I/O If you don’t need analogue I/O, the 192 Digital I/O features a wide range of digital I/O options, including up
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